POETRY REVIEW: You Took the Last Bus Home – by Brian Bilston

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On Brian Bilston and why he rocks and stuff and things.

Wordbotherer's avatarLibera te Tutemet

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I’m not one to compare writers. I hate that. Yuk. Sure, it’s great for marketing, I suppose – if you must market. “Fans of such-and-such will love this novel by so-and-so…” YAWWWN. That sort of crap is lazy and unclever, and has never once given me that I JUST GOTTA HAVE IT vibe.

It’s somewhat pissing on the author’s skills, too: when the blurbage tells me that Writey McScribe is the next Clive Barker, all I hear is “this guy is wholly unoriginal, having re-hashed some dying old trope or other.” Talk about damning by faintstuff.

What I will do, though, is tell you who my own particular boat-floaters are, just so you know where I’m at; this *chick is notoriously hard to impress, particularly when it comes to those who poe. If you’re gonna rhyme your way straight to my heart, buddy, your wordplay is going to have to…

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SPEAK WHAT WE FEEL – REVIEW: KING LEAR – Shakespeare’s Globe, London

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King Lear: Shakespeare’s Globe

Wordbotherer's avatarLibera te Tutemet

Nancy Meckler’s take on King Lear sure ain’t perfect. Far from it. But it’s certainly inventive, and whilst it’s perhaps over-confident in parts, it offers an innovative (if inconsistent) glance at the ultimate dysfunctional family.

We see the stage, which all the world is. Only here, it’s covered with sheeting, and is to be gradually revealed throughout the performance. Dotted about the blank canvas are a number of pretenders to the throne that is The Globe: painted vagrants having a doss as the real action is happening. Perhaps a nod to current conditions (or, indeed, our shocking attitudes towards them,) I’m not sure this device adds anything positive to the production. Lear is enough of a play on its own without adding extra layers or weaving contemporary subtleties into its fabric.

KING LEAR is getting on a bit, and is contemplating abdication or retirement or foot-putting-up or whatever you wanna…

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NO FLIES ON ME

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Since making the veggie-to-vegan leap a few weeks back, me ol’ grub’s been limited. By default, all my fave C’s are out: no cheese, chocolate, or (gasp!) cake.

Vegan hot dogs are floppy as the floppiest of fucks, and cheese-ish slices are essentially oily sheets of sappy, sopping cardboard.

Meatless sausages are ok, I suppose, and vegetable pâté isn’t half bad…but these are all things you need to eat with OTHER things so it’s been Bread With Everything. EVERYTHING.

From pâté on toast…crisp butties (to make sure I stay proppa Northern, like), it’s been carb-central all the way. Sunflower spread isn’t worthy of licking butter’s boots, of course – but if ya sprinkle a l’il salt on there, it’s quite possible to con yerself.

Lunch today? Baked beans and sausages on toast. Which – after plopping the lot onto my plate – looked and smelled a little dodgy, it has to be said. I was going to bin the lot, and go foraging in the fridge for summit else.

And then…BZZZZZ.

A dirty fly-bastard put me even FURTHER off, right before Bite One was even thought of.

***

I’d left the window open last night (I was staying at me Mam’s with the kids – and what with her being ancient and thin of skin, the house was hotter than the sun), so the bewinged one had found his way in. And the little bugger didn’t bother bothering me until I was about to eat.

Forkful of carbs ready to be munched…until FLY. Batted it away, and back he came. Third time fucky: after a futile swat, he landed on my hand.

I didn’t splat the twat (vegan, remember?) but his landing gave me pause to think. He’d been deliberately and universally painted onto my hand, it seemed. I gawped at his little black body.

For here was mine was so white.

Clarity was on the menu then: a menu I make myself read every now and again with my peepers firmly closed and my mind wide open. Behind my eyes: flies. In my head: flies on faces.

Black flies on black faces. Faces that see SO MANY flies that they no longer twitch, ignorant to the silence…so silent that a fly’s footfall can be distinctly heard.

Apathetic hands no longer inclined to bat-away. Flies that stay wherever they squat. On face, on food, in mouth, in hell.

Black children. Black flies. Children so malnutritioned that the bigness of their distended stomachs is only balanced out by their enormous heads. Lolling heads too big for their raving scrawny bodies.

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And none of this is new to me; it’s just that sometimes, I forget to remember it. This is the same shit. The same old shit. The same old shit I first learned about in the eighties, with the advent of Live Aid (yeah yeah – I’m old as fuck). This is the bollocks that’s perpetuated by the likes of enormous corporations unnecessarily peddling their unnecessary shite when African women have perfectly good breasts.

What the actual crap was I doing moaning about shite food and one bastard fly? How fucking DARE I? How dare I complain about the state of my food when I HAVE food?

So I slapped myself in the face – and not for the purposes of insect-removal.

Then I ate a meal of beans on toast, with meat-free, dairy-free, flavour-free sausages.

From the wall, somebody was watching me.

Wilfred’s Men

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A poet’s shattered soul reacts to crumpled men with words intact

Recalling lies as glory folds, one verse – yet many stories told:

Our Wilfred said they’d cursed through sludge, towards their distant rest they’d trudged

And Wilfred’s men had lost their boots but limped on, blind, deaf to the hoots

There, Wilfred saw a hanging face – as death came to his writing-place

So we could read -at every jolt- of gargled blood to our revolt

If Wilfred knew – if he could see -dead men survived by poetry

What would he say – and would he be surprised his words revered by me?

Adored by age, revered by youth, for hitherto-unspoken truth.

If then were now – if he were here, would Wilfred to the world endear?

Or is it likelier he’d see: the sale of arms, cash weaponry?

And then the fight to stop it all, this great divide as countries fall?

Perhaps for now, hypocrisy – humanity’s mobocracy:

And as he rhymes of this or that, he’d write: Manus Manum Lavat.

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We Have Such Sights To Show You

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So – you’re a movie buff. Me too. But for those of you still in the filmfreak closet, here’s a way you can quote your favourite lines ALL….DAY….LONG….and nobody need ever know (unless you want them to – I assure you, it’s a great pulling technique if you want to gather yourself a nice, smart movie geek).

Technically, any flick with a half-decent script is a quotemine, so this list is compiled with that in mind; to show you just how easy it is. Quotes you didn’t know you knew, lines from films that are usually overlooked when it comes to “Best Quote” lists. It’s especially thigh-slappingly amusing trying to crowbar a line into a conversation at work. With a customer. On the telephone. And yes – I have. Many times.

So fly, fly – engage in a little of your own project mayhem that only the true enthusiast will espy. Let’s explore how we can take oft-overlooked statements and make them work for us (Work it, baby, work it…)

Ah….We have such sights to show you….

The Terminator (1984)

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Why it’s so quotable – with a Duel-like chase, the story becomes all the more sinister as Arnie’s Terminator takes on the voice of Sarah Connor’s mother to track her down at the sleazy motel. You too can be equally menacing if you need to know where someone lives:

“Give me your address there”.

OR…..run from that spider crawling towards you, at the same time maniacally exclaiming:

Why me? Why does it want me?

When trying to haggle at a market or garage sale, turn to whoever is next to you and tell them, referring to the vendor:

It can’t be bargained with, it can’t be reasoned with.

(Using this one makes you truly awesome.)

This will all stand you in good stead for the day you need to borrow someone’s clothes, boots, and motorcycle.

Withnail and I (1987)

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Why it’s so quotable- the greatness of the nothingness of every single thing that happens in this movie owes itself to Bruce Robinson’s uber-screenplay. He provides us with a truly juicy superabundance of utterances which can be easily levered into everyday speak.

The finest hangover line available to humanity?

I feel like a pig shat in my head.

Feeling a little paranoid in a new office or hotel room?

You’re not leaving me in here alone. Those are the kind of windows faces look in at.

When you experience poor service at a local establishment, it’s super-fun to yell:

We are multimillionaires. We shall buy this place and fire you immediately.

(Of course, they won’t believe you, but your pure awesomeness makes that a moot point).

When you’ve haggled with the vendor at the aforementioned garage sale, you do of course need to tell them they’re out of their mind. But it only makes sense when you get down to two quid.

Fight Club (1999)

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Why it’s so quotable – With their screenplay, the deities that are Chuck Palahniuk and Jim Uhls make things secretly obvious. If you’re anything like me, by the end of the movie your head is spinning with the incredible dialogue you’ve just heard.

To console someone about a break-up:

It’s only after we’ve lost everything that we’re free to do anything.

If you want a slap in the chops, wait until someone you know gives birth to a girl and utter:

We’re a generation of men raised by women. I’m wondering if another woman is really the answer we need.

(The mere danger/stupidity value of using this quote means you’ll receive extra cool points on your awesomeness chart).

It’s the ideal movie for paraphrasing purposes, too, where you can create endless phrases inspired by Chuck and Jim: “I am Philip’s sense of utter rejection” or “I am Maria’s total lack of responsibility”.  I am Linda’s lack of fuck-giving. That kind of stuff.

Ferris Bueller’s Day Off (1986)

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Why it’s so quotable – it’s fucking Ferris fucking Bueller’s fucking Day Off. That is all.

Customer service agents leaving you frustrated on the telephone? So many choices: but to start with you could ask them

Do you know anything?

(Or simply tell them to stick their finger up their butt).

Worried about being fired for using Terminator quotes on the telephone? Talk about your boss thus:

If I’m gonna get busted, it is not gonna be by a guy like that.

And if you are clever enough to crowbar:

I did not achieve this position in life by having some snot-nosed punk leave my cheese out in the wind

into a real life situation, then I may need to marry you a little bit.

This will imbue a sense of greater purpose and confidence: If you need to call across the office to your colleague Grace, you KNOW how it must be done.

Beetlejuice (1988)

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Why it’s so quotable – If you ever wanted to prove yourself strange and unusual, this film gives you the chance.

Not into the person trying to pull you down the local boozer? Refuse to tell them your name:

If I tell you, you’ll tell your friends…

..and go on to say it’d make your life Hell, ok? A living hell. (Disclaimer: at this juncture, if they get it and laugh hysterically, you may have to have a rethink – they might just be The One).

Viewing a new house? Not too keen? Tell the estate agent:

Oh look! An indoor outhouse.

Of course, there is the one you HAVE to use whenever you try on a new outfit:

This might be a good look for me.

Extra points for saying it after sucking on some helium.

Dave (1993)

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Why it’s so quotable – because it rocks. Simple.

Excellent insults abound:

You’re LINT! You’re a FLEA! You’re a BLIP!

Try on a sweater vest and complain in your best Voice of Ving that it makes your neck look too thick.

Take the kids on a museum trip just so you can say:

We’re walking, we’re walking…and we’re stopping.

(This could only be made cooler if Frank Langella were to bustle past).

Be Dave. Because Dave is just wonderful. Fess up to everything:

I take full responsibility for each one of my illegal actions.

If you know anyone called Ellen (or with the initials LN), you do of course have to thank them for doing this at every available opportunity. It’s the law.

Robocop (1987)

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Why it’s so quotable – because it’s essentially a comic lavishly portrayed by real people. It’s also one of the finest movies ever made.

Assure your friend that their upcoming surgery will be a success:

They’ll fix you. They fix everything.

Made a typo on a document? As you delete it, you MUST say out loud:

Now it’s time to erase that mistake.

(Come on! Say it with me!)

There ARE a lot more quotes from this movie…..I can feel them… but I can’t remember them.

Austin Powers(s) –  (1997 et seq)

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Why it’s so quotable – because it’s such a well-rounded collection of Mmmmmovies.

Don’t go for the obvious YEAH BABY nonsense. But if you’re about to go for surgery to correct your vision, you HAVE to do air quotes when you say LASER otherwise it’s just a wasted opportunity.

Channel Scott Evil wherever possible, with as many, like, whatevers as you can. And always refer to the French language as Paris talk. It’s like, cool.

Being that you’ll often hear people using the boring old in-a-nutshell phrase, you can liven things up. You know how – get on your back and be you, in a nutshell.

As you do this, laugh inwardly at your own genius, point to someone and tell them that’s where they are. They’re there.

Casablanca (1942)

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Why it’s so quotable – it’s set in a gin joint. There’s booze.

Enter a casino and declare that you are:

..shocked, shocked to find that gambling is going on in here!

Next time someone calls you a piss-head, explain that that makes you a citizen of the world.

Confuse the enemy: explain that somehow,

just because you despise me, you are the only one I trust.

You could also tell someone that you are looking at them, kid, but this may just cause confusion.

School for Scoundrels (1960)

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Why it’s so quotable – watch it. Just watch it.

Tell someone you’ve been married a long time. Perhaps almost

Be utterly charming and patronising at the same time, translating everything on the menu. Even if it’s in English.

Point to some tomatoes in your local store, and state what they are.

If you’re being berated for trying to get one over on someone, explain that:

he who is not one up, is one down.

Speaking of one-upmanship, get one over on your local garage by convincing them that your piss-poor excuse for a heap-of-crap car is actually a rare automotive gem.

See? It’s easy when you know how. I’m off for a game of golf now, but it’s snowing. So I’ll use red balls.

SAY IT AGAIN

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War, huh? What is it good for? A bit of ethnic cleansing here and there, pretty little lab experiments in this petri(fied) dish of a planet? World “leaders” getting their cocks out to compare size? Yeah. It’s good for all those things. War, huh? What is it bad for? Absolutely everythin’.

EIGHTLEGGER

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That moment in between asleep and awake…..when the sheet tickles your leg and your tired, pathetic subconscious decides that two and two equal five and that it must be a spider. That moment when you shoot out of bed, heart racing, as if said imaginary spider spans eighteen feet and is holding a stabby weapon in one “hand” and a shooty one in another. All this whilst he waves at you, menacingly, glaring with his far-too-many eyes. THAT is what happens when a sheet dares to tickle your leg. And THEN, standing at the light switch that you right-hooked to ON, you scratch your thigh because, damnit, it feels like there’s something ON IT. There is. The remains of a little tiny eight-legger who chose to crawl under you for some warmth and perhaps protect you from flies. And then you feel exceptionally guilty and decide to take on the day like some superhero – Arachnoman, maybe…or Rachnobabe, vowing to save at least one of the little critters from a squishy demise.